copyright

Two Questions on Fair Use: Interview with Nabiha Syed

For this year’s Fair Use/Fair Dealing Week, MediaWell is partnering with the Association of Research Libraries to interview experts reflecting on how fair use supports research, journalism, and truth. This is the fourth and final installment of MediaWell’s four-part series, entitled “Two Questions on Fair Use.” In this interview, we ask Nabiha Syed, president of The Markup, about how the problem of misinformation requires discretion from people looking to exercise fair use, and how fair use supports people who share information independently.

Read the interview on MediaWell’s website.

Can fair use help combat misinformation on social media?

One of the things I love about fair use is that it creates this carve out from a copyright infrastructure that otherwise could pose a lot of downstream restrictions for a creator or a commentator or a person engaging in a critique. That’s the reason why Justice Ginsburg said that fair use doctrine was a built-in free speech safeguard. We want to engage with cultural conversation, with topics of great public interest, and we want to be able to point to them and say, “I’m not sure I agree with that,” or “there’s a detail that’s missing here, or “let me tell you about how my research really supports this in a way that might be counterintuitive.”

What’s tricky about misinformation is that while you can say, “Let me take snippets of the misinformation and rebut it or debunk it, or fact check it,” fair use permits you to do that. But there’s an open question about whether the psychological research actually supports that as a good thing to do.

Fair use clears the way for us to be able to say, “Okay, here is a rumor that’s spreading about how JFK Jr. is going to come back and turn Donald Trump into the president,” which I think was circulating a couple months ago. We can take that snippet because fair use allows us to, and have that clip or take that quote and comment on it, which is all well and good and should happen. But in a journalistic environment, do we want to be recirculating it? Do we want to be amplifying it? These are a really interesting set of questions. I’m not sure it’s the right tactic, but I’m glad that fair use at least gives us the chance to engage.

For researchers who are working on a different time horizon than journalists, the ability to really dig in, to create a historical record of this kind of misinformation, to document how it flows, that wouldn’t be possible without fair use. For that use case, I think it’s tremendously necessary to document this strange time that we’re in, and the many flavors of misinformation. But for the news journalistic context that I operate in, I worry a little bit about just because you can, doesn’t mean you should.

Read More

Two Questions on Fair Use: Interview with Alex Abdo

For this year’s Fair Use/Fair Dealing Week, MediaWell is partnering with the Association of Research Libraries to interview experts reflecting on how fair use supports research, journalism, and truth. This is the third of MediaWell’s four-part series, entitled “Two Questions on Fair Use” in which we ask Alex Abdo, the litigation director of the Knight First Amendment Institute at Columbia University, about the key issues surrounding researchers’ and journalists’ access to data, as well as legislative efforts to promote platform transparency for researchers. The transcript has been lightly edited for clarity.

Read the interview on MediaWell’s website.

What would you think are the key issues for scholars and journalists to know right now about access to data?

One of the most important subjects of research at the moment is our online world, and researchers and journalists are trying to educate the public about what our new online sphere portends for society. Is public discourse online being manipulated or distorted by the platforms that host and curate conversations online, or by malicious third parties who try to hijack conversations or hijack the machinery of content moderation to advance their agenda at the expense of the public interest?

But it is extremely difficult to study those questions because you need data to study them, and the platforms, for their part, tend to be pretty stingy in the data they make available to researchers and journalists. And so there are many, many journalists and researchers now who try to study the platforms independently, by acquiring data through their own means, either by recruiting volunteers to their studies to enable research, or by collecting data directly themselves for their studies.

The problem is that the platforms tend to view those kinds of activities as violations of their terms of service; they tend to view them as illegal. And the platforms, and I’m mainly thinking of Facebook here, have threatened researchers and journalists who engage in these public interest investigations with cease-and-desist letters, threats of litigation, with the effect of shutting down some of these individual research projects or causing them to change in ways that make them less useful to the public.

Maybe even more troubling is the fact that these threats cast a broader chill on the research community. There are many researchers who don’t take up these sorts of investigations because they don’t want to have to worry about a corporate behemoth like Facebook sending them a legal threat and a legal demand that they don’t have the resources or the institutional backing to fight. So that, to my mind, is one of the most important areas where we need research and study, but where corporate terms of use have created an enormous blind spot for humanity.

Read More

Two Questions on Fair Use: Interview with Rebekah Tromble

For this year’s Fair Use/Fair Dealing Week, MediaWell is partnering with the Association of Research Libraries to interview experts reflecting on how fair use supports research, journalism, and truth. This is the second of MediaWell’s four-part series, entitled “Two Questions on Fair Use” in which we ask Rebekah Tromble—director of the Institute for Data, Democracy & Politics and associate professor in the School of Media & Public Affairs at George Washington University—about how fair use enables computational social science research, but also how limitations on fair use imposed by social media platforms constrain research and teaching about political discourse online.

Read the interview on MediaWell’s website.

How does the copyright environment affect what kind of research & scholarship is conducted, and why does this matter for society? For democracy?

I think that I can share from my perspective, as someone who studies political information and political discourse in the digital space, meaning everything from blogs, to websites, to of course social media, but also mass media that’s produced online and shared online. The rules and regulations around copyright, in many instances, wind up making the kind of core scientific endeavor quite challenging, particularly because under the best practices of the scientific method, you would ideally share the core data, the baseline data, so that others can deeply investigate the work that you’ve done and ensure that you’ve followed the proper methodology and replicate it as appropriate.

In the area that I work in, computational social science, we’re doing a lot of things like building out algorithmic models to detect and understand various concepts or various phenomena. Having that underlying data available is essential. It’s really, really important. And so we’re sometimes hindered by the fact that, for example, if I’m using a great deal of data pulled from mass media outlets, news organizations, websites, I very often can’t share that with other researchers. Those who are on my team can also work with that data, but copyright rules and regulations prevent us from sharing it with other researchers outside of our team, and so the scientific process winds up being hindered. The sort of questions that we’re investigating are about the spread and impact of disinformation. Understanding the types of political discourse that are happening in a variety of spaces online is really essential to our deeper understanding of both the health and wellness, and on the other hand, the harms that are occurring within our democratic societies.

Read More

Two Questions on Fair Use: Interview with Mark Lemley

For this year’s Fair Use/Fair Dealing Week, MediaWell is partnering with the Association of Research Libraries to interview experts reflecting on how fair use supports research, journalism, and truth. This is the first of MediaWell’s four-part series, entitled “Two Questions on Fair Use” in which we ask Mark Lemley, William Neukom Professor of Law at Stanford Law School and senior fellow at the Stanford Institute for Economic Policy Research, some questions about the legal history of fair use, and how fair use supports research and teaching. The transcript has been lightly edited for clarity.

Read the interview on MediaWell’s website.

How does fair use support journalism, specifically documentary filmmaking, data-driven reporting, news content, and aggregation?

I think the answer is fair use has sort of long been integral to all kinds of journalism and reporting. You can go back decades; you can go back almost a century to some remarkable cases. For example, there was a case in which somebody who wanted to tell the story of the Kennedy assassination broke in and got copies of stills from the Zapruder film, which was the only visual evidence of the Kennedy assassination. When the copyright owner sued, the court said, “that’s fair use because you’re taking a copyrighted work for purposes related to the public interest.” I think that has been true across a wide array of news and media communications. There are often circumstances in which there is one key source: somebody took a video of a beating or a shooting, for example, or the key source is itself an official document.

Read More

Fair Use Supports Research, Journalism, and Truth

By Katherine Klosek

For #FairUseWeek 2022, the Association of Research Libraries (ARL) teamed up with the Social Science Research Council (SSRC) #MediaWell project to ask experts to reflect on how fair use supports research and journalism, and how fair use can help combat misinformation, for example on social media. 

The interviews reveal how libraries play a critical role in the ecosystem of research, journalism, and truth by collecting and preserving source material, and making information available for researchers and journalists to cite facts, and quote original sources. Journalists rely on fair use everyday; fair use preserves the constitutionality of copyright by allowing journalists to express their First Amendment rights. Fair use also enables the reproducibility of science by allowing peers to access, interrogate, and build on research outputs like data, methodology, and findings that may be protected by copyright.

Read More

Libraries, Universities, and Civil Society Groups to Celebrate Fair Use/Fair Dealing Week 2022 on February 21–25

Read More

Get set for UK Fair Dealing Week running from 21–25 February 2022

The ALT Copyright and Online Learning Special Interest Group (CoOLSIG) are pleased to announce we will be coordinating a UK Fair Dealing week commencing 21–25 February 2022. This follows on from last year’s Fair Use/ Fair Dealing week which ran across USA, Canada and other jurisdictions in February 2021, led and devised by Kyle K. Courtney (Harvard University).

The purpose of the UK Fair Dealing week, is to not only celebrate and raise awareness of this important legal framework, but through discussion, events, and success stories, celebrate the opportunities it presents.
Launch Event and how to get involved

We are planning to kick start the week with an online launch event during the evening of the 21st February, so please watch this space for more details coming soon.

UK Fair Dealing can’t be fully explored in a singular event or resource, given the scope of the framework and the UK copyright exceptions its connected to and this is where you come in. If you would like to be involved in the week, then why not consider delivering your own Fair Dealing event at your own institution or writing a blog post? There are numerous ways individuals can choose to participate in Fair Dealing week, & for further examples, please view this page with more ideas.

Methods of how you can share and promote your resources or online events will be made available in due course. Do drop us a line if you are looking for ideas though.

N.B, when developing resources for the UK Fair Dealing week, please refer to the Fair Use brand guide.

Learn more on the event page.

Fair Use Jurisprudence 2019–2021

By Jack Lerner, Luke Hartman, and Jordin Wilcher

Cross-posted at https://ipat.law.uci.edu/fairuse2021

We are excited to celebrate Fair Use Week with a new report from the UC Irvine Intellectual Property, Arts, and Technology (IPAT) Clinic: Fair Use Jurisprudence 2019–2021: A Comprehensive Review. The report presents the results of an exhaustive study of recent fair use opinions issued by US federal courts in copyright infringement cases.

Copyright covers a huge range of expressive activity and is automatic. Just about anyone who wants to do more than read, watch, or use a work relies on the doctrine of fair use in order to avoid liability for copyright infringement. The US Supreme Court has referred to fair use as a sort of safety valve that provides breathing space allowing copyright to coexist with freedom of expression. And it is an evolving doctrine; disputes concerning fair use are constantly working their way through the American legal system, but the vast majority of cases don’t make the news despite their importance to creative expression and innovation.

Read More

A Sample of Fair Use

By Sandra Aya Enimil

Music sampling has been, and is, a critical fixture and feature of hip-hop. Hip-hop is an amalgamation of music, music mixing, dance, graphic art, and a specific clothing aesthetic. Lovers of hip-hop music and copyright have followed and studied the impact of copyright law on the genre, particularly how hip-hop musical artists (MCs) have engaged fair use.

Read the full blog: http://blogs.harvard.edu/copyrightosc/2021/02/24/fair-use-week-2021-day-three-with-guest-expert-sandra-aya-enimil/